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Table of Contents
(35.3)
The Once and Future Multiverse: Refracting Arthurian Visual Culture Through Comics 3 Jamey Keeton
Comics and the New Camelot: Continuation and Critque in Positive and 8
Negative Adaptations of Arthurian Material
Mark-Allan Donaldson
Proud Mice in Perpetual Movement: Mouse Guard's Illustrative Panels of Combat and Travel 25 Byron Fong
Making Super-Arthur: Visualizing Genre, Superheroics, and the Sword & Sorcery Legacy in Camelot 3000 45 Jamey Keeton
eXXXtreme Arthurian: Image Comics, Arthurian Adaptations, and Reading Style 63
Patrick Sullivan
The Grail and the Glamour: Grant Morrison and Trans Themes in Arthurian Comics 84
Adrian Mcclure
Chivalric Splendor and Arthurian Empire in Code Geass: Lelouch of the Rebellion 103
Kendra Mcduffie and Eduardo Ramos
East of Camelot: Insufficient ‘Whiteness’ and ‘American’ Racial Etiquette in Prince Valiant 128
Tirumular (Drew) Narayanan and Tiffany Vanwinkoop
‘Meant to Be’: How the Arthurian Comic Unholy Grail Denies Female Agency 156
through a Predetermined Narrative
Isabella Neubauer
Mampato and Ogú in Camelot: Knighthood Reimagined During Cold-War Politics 174
Camila Gutiérrez
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Anthony Bale, A Travel Guide to the Middle Ages: The World through Medieval Eyes 190
Sarah Davis-Secord
Daniel Donoghue, Sebastion Sobecki, and Nicholas Watson, eds., Form and Power in Medieval 192
and Early Modern Literature: A Book for James Simpson R.D. Perry
Victoria Flood, Fantastic Histories: Medieval Fairy Narratives and the Limits of Wonder 194 Jan Shaw
Carolyne Larrington, Approaches to Emotion in Middle English Literature 196
Paul Megna
Hannah Piercy, Resistance to Love in Medieval English Romance: Negotiating Consent, Gender, and Desire 198 Lucy Brookes
Alexandra Sterling-Hellenbrand, Recontextualizing Medieval Heritage and Identity in Contemporary Austria 199
Richard Utz