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Introduction 3

Kirsten Wolf and Keith Busby

Writing in the Margins: Norse Arthurian Sagas as Palimpsests 5

Norris J. Lacy

‘Everyone thought it very strange how the man had been shaped’:
The Hero and His Physical Traits in the Riddarasögur 18

Claudia Bornholdt

Translation or Adaptation? Parcevals saga as a Result of Cultural Transformation 39

Suzanne Marti

Cognitive Dysfunction in Dínus saga drambláta and Le Roman de Perceval 53

Geraldine Barnes

Ectors saga: An Arthurian Pastiche in Classical Guise 64

Marianne Kalinke

Tristram: From Civilizing Hero to Power Politician 91

Hans Jacob Orning

The Matter of blár in Tristrams kvaeði 109

Natalie M. Van Deusen

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The Round Table 118

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REVIEWS

Christine Ferlampin-Acher, Perceforest et Zéphir: Propositions autour d'un récit bourguignon 124

Denyse Delcourt

Bettina Bildhauer, Filming the Middle Ages 125

Kevin J. Harty

Andrew B.R. Elliott, Remaking the Middle Ages: The Methods of Cinema and History in

Portraying the Medieval World 127

Kathleen Coyne Kelly

Joerg O. Fichte, From Camelot to Obamalot: Essays on Medieval and Modern Arthurian Literature 128

Kevin J. Harty

Kevin J. Harty, ed., The Vikings on Film: Essays on Depictions of the Nordic Middle Ages 129

Shaun F.D. Hughes

Karen Jankulak, Writers of Wales: Geoffrey of Monmouth 135

Andrew Breeze

Marianne E. Kalinke, ed., The Arthur of the North: The Arthurian Legend in the

North and Rus’ Realms 136

Shaun F.D. Hughes

Dana M. Oswald, Monsters, Gender, and Sexuality in Medieval English Literature 142

Jeffrey Jerome Cohen